Book Review: The Girl with a Thousand Faces

Mercy Chan has no memory of who she is. The ghosts haunting Hong Kong's Kowloon Walled City may have the answers, but uncovering the truth could prove more dangerous than remaining in the dark.

When Mercy Chan washes up on the shores of Hong Kong with no memory of who she is, she finds refuge in Kowloon Walled City, a sprawling, ghost-infested labyrinth where she earns a living speaking with the dead. When a powerful spirit begins terrorizing the city and claims to know the secrets of Mercy's forgotten past, she is forced to confront mysteries that may be better left buried.

This isn't the sort of book I would normally pick up, which made its grip on me all the more surprising. I found myself completely engrossed. The plot consistently defies expectations, and just when I thought I understood where the story was headed, it veered somewhere entirely different. The mystery at the heart of the novel unfolds gradually, rewarding readers who enjoy piecing together clues alongside the protagonist.

What truly sets The Girl with a Thousand Faces apart, however, is its storytelling. The novel unfolds with the confidence of an expert storyteller, revealing information at exactly the right moments and drawing readers deeper into its world with each chapter.

One of the most memorable sections takes place during the Japanese occupation, when Mercy and her mother flee Hong Kong to the remote island where her mother grew up. The island is nearly deserted after a devastating typhoon swept away much of the community. Through Mercy's childhood eyes, readers wander through abandoned buildings that once held vibrant lives while ghosts linger among the ruins. Her mother spends her days singing, dancing, and praying alongside the spirits of former friends, relatives, and neighbors. There is something deeply unsettling about these scenes, not because they are frightening, but because they blur the line between grief and devotion, memory and reality. I could see them unfolding as clearly as scenes in a film. This book is very cinematic.

That cinematic quality runs throughout the novel. Whether depicting the crowded darkness of Kowloon Walled City, occupied Hong Kong, or the windswept isolation of the islands, Dean creates settings that feel lived in rather than merely described. Kowloon itself is unforgettable: grungy, crowded, haunted, and teeming with both the living and the dead. I've rarely encountered a setting that feels this vivid and transportive.

Despite centering on ghosts, this is not horror in the traditional sense. The ghosts here are not merely monsters. Many are people trapped by grief, violence, war, and unfinished business, struggling to make sense of how and why they died. The novel's portrayal of the afterlife is unlike anything I've encountered before: unsettling, fascinating, and deeply thought-provoking. At times, I found myself genuinely hoping the author was wrong. The idea of remaining painfully aware after death, unable to move forward, is far more frightening than any monster.

What lingered with me most wasn't the mystery but the questions the book raises. Through its ghosts and its exploration of loss, it asks readers to consider the value of human life, the consequences of our actions, and the ways our choices reverberate through the lives of others. Many of the ghosts in this story are grappling not only with death, but with the circumstances that led to it and the people whose choices shaped their fates. The novel challenges the comforting idea that our lives belong solely to us. Again and again, it returns to the uncomfortable truth that our actions ripple outward, affecting others in ways we may never fully understand.

A word of caution: this is not a feel-good read. While there is some gruesome imagery, the novel is never gratuitous. Its weight comes from the emotional and philosophical territory it explores. It is a heavy book, but an undeniably fascinating one.

For readers who enjoy immersive settings, unpredictable plots, and stories with real depth, The Girl with a Thousand Faces is a haunting, thought-provoking novel that will stay with you long after you've turned the final page.

Stephanie A.

(Founder and Editor) Stephanie founded Tawk of New Yawk in 2020 and has been figuring this shit out on the fly ever since. She’s a writer, mother of two, and wife living in Brooklyn. Her debut play, Method’s Abyss, debuted in April 2025 to multiple sold out crowds and has thus received an award reflecting such. She is a NYC public school educator who recently was awarded the Fund for Teachers Grant. In addition, she has returned to graduate school for a second Master’s degree in history.  Not that she has free time, but when she does, she likes reading and spiraling in existential crises,

Next
Next

A Fairy Tale for Grown-Ups: Inside Company XIV's Petite Rouge