Bubba Weiler’s Well, I’ll Let You Go is the kind of play that makes your chin tremble before you even realize you’re about to cry. Refusing clean structure and easy catharsis, the Studio Seaview production unfolds like overheard grief: messy, anxious, strange, and painfully human.

A one-man show that starts in a Texas meth lab and ends somewhere stranger, Lost in Del Valle is a gritty, funny, and unexpectedly moving memoir of a life that veered wildly off course and somehow made it back.

At The Chain Theatre, John Patrick Shanley’s Pushover sets out to deliver danger, desire, and volatility but never quite lands. Despite a compelling premise and a standout turn from Di Zhu, the production struggles to find the heightened tone that defines Shanley at his best, leaving behind a play that feels more confusing than captivating.

A cold, rain-soaked night at Irish Repertory Theatre set the stage for Ulster American, a razor-sharp, deeply uncomfortable satire starring Matthew Broderick. What begins as a rehearsal quickly spirals into a brutal, hilarious unraveling of ego, politics, and performance itself.