art & culture
INDIE & OFF BROADWAY CONTENT. ART INSTALLATIONS AND THINK PIECES. THE STUFF THAT SEPARATES HUMANS FROM THE ANIMALS.
The NOo Arts House on Governors Island promised transformation through fungi, decay, ecology, and reinvention. But in a building already alive with history, texture, and deterioration, only a handful of artists managed to rival the power of the house itself.
Fashion designer Iris van Herpen doesn't just take inspiration from nature. She studies how it moves, grows, adapts, and survives. At the Brooklyn Museum's Sculpting the Senses, more than 140 couture creations are displayed alongside fossils, coral, skeletons, and scientific artifacts, revealing the extraordinary connections between the natural world and some of the most innovative fashion being made today. The result is one of the museum's most ambitious and visually stunning exhibitions in recent memory.
Opened by longtime NYC comedian Jeremy Pinsly, Greenpoint Comedy Club was founded on the belief that comedy works best when it feels communal. The new Brooklyn venue combines standout lineups with an atmosphere designed as much for hanging out as the performances themselves.
Mystic Caviar blended champagne, tarot, contemporary art, and actual conversation into the kind of New York night people swear no longer exists. Inside Tara Downs Gallery, strangers debated art, pulled cards, and remembered what community can feel like in the city.
The Tank’s Off-Off-Runway Gala was more than a fundraiser. It was a reminder that New York’s arts scene survives because people are still willing to fight for rehearsal rooms, weird ideas, and emerging artists in a city increasingly hostile to all three.
Scandinavia House’s Craft Your Own Aquavit event was the rare cultural program that actually felt alive. Guests blended their own aquavit, sang Scandinavian drinking songs, ate incredible food from Björk Café & Bistro’s Ulrika Bengtsson, and turned a museum event into a genuine party.
A Guggenheim opening promises access, play, and connection. Outside, protesting workers tell a different story. Inside, Carol Bove’s steel-heavy survey strains under repetition, leaving the museum’s message of openness feeling more performative than real.
Indigenous Ainu musician OKI brought his electrified tonkori and genre-defying sound to Japan Society, blending reggae, rock, dub, and traditional Ainu music into something entirely his own. Before the show, we spoke about cultural memory, language loss, identity, and why music still has the power to make strangers feel human.