The PushOver Feels Off From The Start
At The Chain Theatre, John Patrick Shanley’s Pushover sets out to deliver danger, desire, and volatility but never quite lands. Despite a compelling premise and a standout turn from Di Zhu, the production struggles to find the heightened tone that defines Shanley at his best, leaving behind a play that feels more confusing than captivating.
Soviet Cinema and the Importance of Local Theaters
A first encounter with Soviet cinema leads to a packed screening of Secret Agent at Metrograph, where stunning visuals, quiet paranoia, and a room full of regulars remind one writer why movie theaters still matter.
Juliette Campbell Of Shanghai Mermaid Isn’t Just Hosting Parties. She’s Curating New York at Its Best
At Estonian House, Shanghai Mermaid transformed a Lunar New Year party into something rare for NYC: an event that was as culturally grounded as it was visually stunning.
The Fringe Shows We’re Betting On (Part TWO)
Part two of our NYC Fringe Festival coverage leans into the personal. From a solo show about learning to drive at 40 to save a marriage, to a darkly funny spiral through alcohol and memory, to a glittering, high-energy love letter to New York and the artists who survive it—these are stories about risk, reinvention, and what it costs to keep going. Meet the creators bringing it all to the stage.
The New York Belly Dance Festival Balances Glamour and Grit
The New York Belly Dance Festival offers a multi-day look into belly dance through workshops, performances, and community-driven events, highlighting both the technical precision and cultural depth of the form.
Kabin, a Scandinavian Bar by Alexandra Tangen, Has Found Its Place in SoHo
A Scandinavian cabin in the middle of SoHo. Kabin, Alexandra Tangen’s cocktail bar, brings Nordic design, inventive drinks, and a surprisingly cozy energy to downtown NYC.
Start Here: The Fringe Shows We’re Betting On (Part One)
Frigid’s NYC Fringe Festival is where new theater still feels risky, alive, and worth showing up for. We’ve rounded up a few shows we can’t wait to see, and talked to the artists behind them. This is Part One.
A Ruthless Female Lead Who Refuses to Be Redeemed: The Favorites Review
An obsessive, cutthroat ice dancer who refuses to apologize for her ambition, The Favorites by Layne Fargo is messy, toxic, and surprisingly compelling, even when it completely exhausts you.
At La Pecora Bianca, Even the Pasta Has Emotional Regulation
At La Pecora Bianca, the food is balanced, the crowd is chaotic, and the sourdough toast might take a tooth. A reliably good Upper West Side spot with just enough edge to keep it interesting.
Body Count at SoHo Playhouse Examines Sex Work Without the Usual Tropes
Body Count at SoHo Playhouse offers a sharp, often humorous look at sex work, challenging familiar narratives while exploring the emotional labor and power dynamics at its core.
An Inconveniently Perfect Flower for New YorK
Daffodils may be New York’s official flower, but the Orchid Show at the New York Botanical Garden makes a compelling case for a new symbol, one that feels far more like the city itself.
Modern Warrior’s Behind The Lines: A 9/11 Story
A haunting, deeply human performance, Modern Warrior: Behind The Lines brings two men face to face with the events of 9/11 and the war that followed. Told in their own words, their stories linger long after the stage goes dark.
Ulster American at Irish Repertory Theatre
A cold, rain-soaked night at Irish Repertory Theatre set the stage for Ulster American, a razor-sharp, deeply uncomfortable satire starring Matthew Broderick. What begins as a rehearsal quickly spirals into a brutal, hilarious unraveling of ego, politics, and performance itself.
A Night at Adélaïde’s Salon: Jazz, Burlesque, and a Hidden Speakeasy in NYC
We threw on fringe, slipped behind a Coca-Cola machine, and landed in a candlelit jungle filled with live jazz, burlesque, and cocktails that literally catch fire. Adélaïde’s Salon delivers the kind of NYC night that feels rare now, a little decadent, a little secret, and very easy to get lost in.
I Had a Moment with Daniel Radcliffe. He Did Not.
I didn’t think much about Daniel Radcliffe, until I saw him in Every Brilliant Thing and, within minutes, became an unlikely fan. What follows is a Broadway experience built on intimacy, audience connection, and one very strange moment that I’m still trying to make sense of.
Rank, Ruffles, and Reputation: Gainsborough’s World at the Frick
In eighteenth-century England, a portrait wasn’t decoration—it was proof. Silk, jewels, posture, and pose all signaled rank. But when Thomas Gainsborough hung a courtesan beside a duchess, critics panicked. Because if status is just silk and posture… who exactly gets to look important?
ST. PATRICK’S DAY SPECIAL: INTERVIEW WITH Ken Casey of THE DROPKICK MURPHYS FOR THEIR 30th ANNIVERSARY TOUR
The Dropkick Murphys started as a joke between friends. Thirty years later, they’ve released thirteen albums, toured the world, and built a fiercely loyal fanbase. In this conversation, frontman Ken Casey looks back on the band’s unlikely origin story, the Boston punk scene that shaped them, and why their music has always been “for the people.”
The Whitney Biennial Captures the America We Actually Live In
Critics say this year’s Whitney Biennial is too sentimental, too loose, too eager to please. Maybe. But what it actually does is something rarer. It pulls the everyday realities of American life into the same frame and asks us to recognize ourselves in it.
SoHo Playhouse Fringe Encore Series – Aussies Descend on NYC and a One-on-One with Elouise Eftos – by Sarah Wadsley
The SoHo Playhouse’s Fringe Encore series brings standout acts from international festivals to New York for a limited Off-Broadway run. Among them is a wave of Australian comedians, including Elouise Eftos, whose provocative show Australia’s First Attractive Comedian challenges the expectations placed on women in comedy.
Sunshine, Sad Songs, and Celebrity Chaos: Reviewing The Future Saints
A rising band, a dead sister, and the strange theater of the music industry collide in The Future Saints. The novel offers cinematic scenes and California glamour, even if its emotional depth sometimes feels imagined rather than lived.